CoDAS
https://codas.org.br/article/doi/10.1590/2317-1782/20232023002pt
CoDAS
Original Article

Autopercepção do Impacto Imediato na Voz de Cantores Gospel após uma Apresentação de uma hora

Self-perception of the Immediate Impact on the Voice of Gospel Singers after a one-hour Presentation

Marluce dos Santos Maia Rodrigues; Fabiana Copelli Zambon; Claudia de Oliveira Lima Camargo Pacheco; Mara Suzana Behlau

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Resumo

RESUMO: Objetivo: Investigar o impacto imediato na voz de cantores gospel com e sem queixa vocal após uma apresentação individual de uma hora.

Método: Aplicação de um questionário online que abordou os seguintes aspectos: 1 - Dados sociodemográficos; 2 – Autoavaliação da habilidade de cantar pelo protocolo Evaluation of the Ability to Sing Easily (EASE-BR); 3 - Autoavaliação de sintomas de fadiga vocal pelo Índice de Fadiga Vocal (IFV); e 4 - Autoavaliação da desvantagem vocal pelo protocolo Índice de Desvantagem Vocal 10 (IDV-10). Os participantes foram divididos em dois grupos: Grupo Com Queixa (CQ) e Grupo Sem Queixa (SQ) com base no escore total do IDV-10. Os dados passaram por análise estatística descritiva e inferencial considerando o nível de significância de 5%.

Resultados: Participaram 43 cantores gospel com idade mediana de 34 anos, divididos entre 32 do grupo SQ e 11 do grupo CQ. O grupo CQ autorrelatou rouquidão e maior dificuldade ao cantar no EASE e maiores escores nos protocolos IDV-10 e IFV. Foi evidenciada correlação positiva entre a dificuldade ao cantar e a desvantagem vocal com a fadiga de cantores amadores gospel, sendo que essa correlação foi maior para o grupo SQ.

Conclusão: Cantores com queixa vocal apresentaram maiores índices de fadiga vocal, desvantagem vocal e maior dificuldade para cantar após uma hora de apresentação. Cantores sem queixa podem ter a habilidade de cantar prejudicada pela fadiga vocal. Variações na habilidade ao cantar e desvantagens vocais de cantores amadores gospel podem ter relação direta com a fadiga vocal.

Palavras-chave

Voz, Protocolos, Fonoaudiologia, Canto, Distúrbios da Voz

Abstract

Purpose: To investigate the immediate impact on the voice of gospel singers with and without vocal complaints after a one-hour individual presentation.

Methods: Application of an online questionnaire that addressed the following aspects: 1 - Sociodemographic data; 2 – Self-assessment of the ability to sing using the Evaluation of the Ability to Sing Easily (EASE-BR) protocol; 3 - Self-assessment of vocal fatigue symptoms using the Vocal Fatigue Index (VFI) protocol; and 4 - Self-assessment of voice handicap using the Voice Handicap Index 10 (VHI-10) protocol. Participants were divided into two groups: Group with Vocal Complaint (WVC) and Group with no Vocal Complaint (WnVC) based on the total score of the IDV-10. Data underwent descriptive and inferential statistical analysis with a significance level of 5%.

Results: The study included 43 gospel singers with a median age of 34 years: 32 were in the WnVC group and 11 were in the WVC group. The WVC group reported hoarseness and experienced more difficulty while singing in the EASE, resulting in higher scores in both the VHI-10 and VFI protocols. A positive correlation was observed between singing difficulty and vocal handicap due to fatigue in amateur gospel singers, with this correlation being stronger within the WnVC group.

Conclusion: After one hour of performance, singers with vocal complaints exhibited higher rates of vocal fatigue, vocal disadvantage, and greater difficulty in singing. Singers without complaints may have their ability to sing impaired by vocal fatigue. Variations in singing ability and vocal handicaps in amateur gospel singers may be directly related to vocal fatigue

Keywords

Voice; Clinical Protocols; Speech Language and Hearing Sciences; Singing; Voice Disorders

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Submitted date:
01/09/2023

Accepted date:
08/07/2023

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